Part III Inherent Knowledge
Revealing the existing knowledge of HIPP artists regarding the sound production
In the third part, the experience of sound production on various historical instruments is discussed together with a number of renowned HIP experts. Through discussions and, in particular, interviews, existing individual practices are examined and a previously neglected discourse is enhanced. Subtitles ensure that the edited, multilingual interviews are accessible to a wider audience, and their content is analysed and explored using IPA (Interpretative Phenomenological Analysis).
The main issues addressed in the questions of the interviews are:
Shaping of notes
Instruments & sound production
A “good” Sound
Mindset
Body as part of sound production